Damian Gordon
Staff Writer
Pharrell is on top of the world right now with multiple
chart topping songs under his belt. So what better time than now to release his
new album Girl to the masses.
The album is filled with influences from funk and neo soul
to even touches of orchestral music. Its diverse selection makes every tune
sound distinct from the next one.
The catchy lead single from the album, “Happy” has been
playing on any object that sound comes out in. Someone could go into a cave in
the middle of a forest and the birds would probably be chirping that song all
day there too.
Pharrell is the kind of artist where more of him isn’t
necessarily better, with over 40 minutes of his singing becoming grating with
the opening song” Marilyn Monroe”. The first half is plagued with mediocre
songs that make the skip button a very familiar action.
The bright spot of the first half is the duet with Justin
Timberlake called “Brand New”, where Pharrell’s voice actually works. It’s a
very rhythmic song that makes you want to dance with Timberlake’s angelic like
voice.
One track that really highlights what’s so bad with the
first half is called “Hunter”, making me want even more to put a muzzle on
Pharrell with his irritating falsetto.
The song has cringe worthy lyrics like” Duck Dynasty's cool and all, but they
got nothin' on a female's call, I’m a hunter, is that a tree is that
camouflage? Come get eaten by the damn mirage”.
Girl is concept
album that could have been better executed in certain parts, but has enough
saving graces that make it worth a listen.
Foster The People : Supermodel
Played in Fridays restaurants, Gap commercials and any place
that wanted the youth to think they were hip too. Foster The People took the
nation by storm with hits like “Pumped Up Kicks”, from their 2011 album Torches.
One of the best albums of that year with every song
automatically catching you the second it played, it’s Supermodel, a
deserving successor to their last effort.
an understatement to say they are a unique group. Now here we are in 2014 and the indie pop-rock band has returned with
an understatement to say they are a unique group. Now here we are in 2014 and the indie pop-rock band has returned with
The electronically focused sound featured on Foster’s
previous outing has taken a backseat for more guitars and a variety of other
instruments from different parts of the world. The content has also taken a
more aggressive turn at some points, talking about societal problems, personal
demons, etc.
Gone are the tunes that were stuck in your head all day,
instead to be replaced with songs barely to be remembered. At least that’s what I would have said on my
first listen, but then something happened…I couldn’t stop listening.
Supermodel has its
own version of “Pumped Up Kicks” with lyrics just as dark, covered up by joyful
singing by leader singer Mark Foster. “Best Friend” will have you dancing in a
matter seconds, not even realizing that the songs talking about drugged out friends.
There aren’t really any gripes to be found. That only helps
to speak volumes on how much deeper and content filled it is.
All the elements found in Supermodel succeed in many aspects that come together to make a
well-rounded experience. It’s no surprise that Foster The People started a trend
many other bands try to emulate, but can’t because originality can’t be copied
and manufactured (well expect for the copies of this album flying off shelves).
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